The Israeli historian Omer Bartov argues in his new book that a “state ideology” of Zionism has led to what he calls genocide in Gaza.

The New Yorker staff writer, who has chronicled political violence under the Irish Republican Army and the opioid epidemic, traces how a teen came to impersonate an oligarch’s son.

Ronan Farrow and Andrew Marantz on the rise of the C.E.O. of OpenAI, and how allegations of deceptive behavior continue to dog one of the most powerful figures in tech.

Olga Rudenko, the editor-in-chief of the Kyiv Independent, explains how Russia is supporting Iran with drone technology, and how the worldwide shock to oil prices is helping Russia.

The New Yorker staff writer Louisa Thomas on the season’s biggest basketball stories.

Troy Edwards tells Ruth Marcus why he left his senior position in the government, and what his father-in-law, James Comey, had to do with it.

The actor, who stars in the new Broadway production “Giant,” about Dahl’s fraught legacy, discusses whether we can separate the art from the artist.

The staff writer Jon Lee Anderson on the ongoing negotiations between the U.S. and Cuba, Marco Rubio’s strategy, and what regime change could look like.

The comedian and writer on his new HBO special, “Color Theories,” which comes out March 27th.