The reporter Mohammed R. Mhawish was targeted in an Israeli air strike. He lived, and escaped Gaza. He continues to report on the deprivation and challenges of people trapped in the war.

The director and the actor discuss their latest collaboration, nineteen years after their previous film together. “Time flies!,” Lee says. “I didn’t know it had been that long.”

The New Yorker critic explains which movies by the filmmaker he loves most—and why.

Jeannie Suk Gersen and Ruth Marcus, who write about the law for The New Yorker, address listeners’ pressing questions about the Trump Administration’s legal controversies.

The celebrated writer discusses how she found her unique voice, and a new collection of her writings that begins with her first published piece in The New Yorker.

Brennan’s C.I.A. was lambasted by Donald Trump as part of what he called the “Russia hoax.” Why is the Administration going after Brennan now?

Rapid changes in technology are rendering American supremacy in highly advanced, expensive weapons a thing of the past. Can the military adapt in time for the next conflict?

Elected in part on a promise to address the housing crisis, Bass faces a different crisis: a federal “seizure” of Los Angeles, and an Administration fixated on mass deportation.

Ari Aster’s neo-noir Western involves a gun-toting sheriff, COVID, the George Floyd protests, and a mysterious A.I. data center. The writer-director talks with Adam Howard.