“Giselle,” and What to Do with the Problematic Past Listen Download Embed Share Share this on Facebook (Opens in a new window) Share this on Twitter (Opens in a new window) Share this via Email Jeanna Kadlec on “Heretic,” and Why She Left the Evangelical Faith Did Black Lives Matter Change Broadway? ”Giselle”: Rebuilding a Classic Ballet for the Modern World ( Illustration by Golden Cosmos ) Hosted by Ngofeen Mputubwele Produced by The New Yorker and WNYC Studios