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It's 2052. And we're programming an oldies station that plays the "turn of the century hits" (that's 21st century). What music from the '90s, '00s and '10s would survive? (episode)
Grammy-nominated Cuban pianist Roberto Fonseca presents an infusion of rap, funk, reggaeton and electronic music, performing songs from his latest record in studio. (episode)
Bartees Strange presents covers of songs by The National, taking inspiration from the music, the lyrics and even the cover art to examine how black artists can find room in white spaces. (episode)
Montreal-based cellist, climate activist and organizer Rebecca Foon (Silver Mt. Zion, Esmerine, Saltland) plays dreamy-dark intimate songs from her latest, Waxing Moon, in-studio. (episode)
The quartet of “Dublin folk miscreants” called Lankum infuses traditional folk songs with an urban punk rawness and the dark drone of psychedelia. They play in-studio. (episode)
The Brooklyn-based World/Inferno Friendship Society serves up a righteous gumbo of dark cabaret, punk, ska, klezmer, gospel, and jazz. The band makes musical mischief, in-studio. (episode)
LA-based singer-producer Katie Gately delivers spectral singing, layers of electronics, and sampled sounds in her unsettling, yet inviting songs. She performs in-studio. (episode)
British singer-songwriter Jack Penate gets spiritual with soul and mysticism, and throws down raw emotion with pop polish. He plays new tunes from his latest record, solo, in-studio. (episode)
Paris-based singer-songwriter Fatoumata Diawara takes pride in her Malian heritage and looks confidently to the future. She shares the fruits of her latest musical adventures, in-studio. (episode)