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Andrew Bird engages with both beauty and terror and goes into the depths of the intimacy between adversaries on his latest, cheekily titled 'My Finest Work Yet'. He joins us in-studio. (episode)
Avital Meets Avital in chamber-jazz from two virtuoso players, mandolinist Avi Avital and oud/bassist, Omer Avital (no relation). Their quartet performs original works, in-studio. (episode)
The NYC-based orchestral collective, The Knights, perform a new work by Syrian clarinetist and composer Kinan Azmeh and a not-so-new work by Vivaldi, in-studio. (episode)
Hear unusually-sourced music by the electronic duo Matmos made entirely from plastics: a police riot shield, silicone gel breast implants and synthetic human fat. They perform in-studio. (episode)
Writer, actor, political activist, rebel-country troubadour Steve Earle is also a fan of great Texas songwriters Townes Van Zandt and Guy Clark. He plays tunes by Guy Clark in-studio. (episode)
The Brooklyn-based band Savoir Adore crafts dancey, lush electro-pop songs intent on dispensing magic and dreams. They'll join us in-studio for an intimate stripped-down set. (episode)
Songwriter and electronic musician Helado Negro makes spacey folky electro-pop that pulses with gentle power. He performs music from his latest, 'This Is How You Smile', in-studio. (episode)
Luther Dickinson and Sisters of the Strawberry Moon is an all-star collaborative band with Amy Helm, Birds of Chicago, and others, led by Dickinson (of the North Mississippi Allstars). (episode)
London-based trio The Comet Is Coming makes rooms of people dance, incorporating electronic music, hip hop, psych, and rock. They play their sweaty cosmic funky dance jazz, in-studio. (episode)