VINSON CUNNINGHAM: On June 3rd, as streets filled up with protesters from Brooklyn to the Bronx, a beloved New York City tradition was taking place. But this time at home. Over two dozen people turned on their computers and sat down to read Shakespeare.
RAZ GOLDEN: Richard II, by William Shakespeare. episode 1, act 1, scene 1
MICHAEL COHEN: It felt tense
SANJIT DE SILVA: It was a mix of incredible excitement and also
BIKO EISEN-MARTIN: Emotionally raw
SAHEEM ALI: Should we be engaging in something that some dead old white guy wrote 400 years ago?
KAREN ANN DANIELS: It's true, it's a choice. Shakespeare is always a choice. But I still love him.
AYANNA THOMPSON: I actually love Richard II.
ANDRE HOLLAND: For me it’s Shakespeare at its best.
MICHAEL COHEN: It's complex, it's messy.
VINSON: The play begins in the wake of a murder
AYANNA THOMPSON: A deep crime has been committed.
VINSON: It’s a battle for control and power, and who gets to wear the crown.
MICHAEL COHEN: How is this play relevant to today?
SAHEEM ALI: There is a man who is killed in the play, and it sets off a chain of events. Like, people are angry because of the death. People want action. We're in a moment that is very similar.
MIRIAM A. HYMAN: We’re no longer acting--we’re now living
AYANNA THOMPSON: What does it mean to shuffle off an old system.
SANJIT DE SILVA: The play in one word is about revolution.
VINSON: I'm Vinson Cunningham, staff writer at the New Yorker.
Over four episodes we'll listen together to Richard II, directed by Saheem Ali and performed by some of the best Shakespearean actors in the country. We'll hear about why it's such an important play to be listening to and talking about right now.
Not all the water in the rough rude sea
Can wash the balm off from an anointed king;
The breath of worldly men cannot depose
The deputy elected by the Lord.
For every man that Bolingbroke hath pressed
To lift shrewd steel against our golden crown,
God for His Richard hath in heavenly pay
A glorious angel.
VINSON: This is Free Shakespeare on the Radio. Presented by WNYC in collaboration with the Public Theater. Coming July 13th.
New York Public Radio transcripts are created on a rush deadline, often by contractors. This text may not be in its final form and may be updated or revised in the future. Accuracy and availability may vary. The authoritative record of New York Public Radio’s programming is the audio record.